Shure KSM32C-SM Mic & Wireless
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Shure KSM32C-SM

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799,00 €
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  • 3-years warranty
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Microphone buying guide

What microphone should you buy to record voice, guitar or drums? Everything is explained through this buying guide!

Contact an expert

Our musician and enthusiast tele-consultants are here to answer all your questions.

Description

The Shure KSM32C is designed for serious recording, both in the studio and on stage. It's aimed at sound engineers, musicians and producers who want a neutral rendering, with no "embellished" effects. You plug in, you place, you record: the source remains the source. A coherent choice if you're looking for a pro microphone that's durable and cost-effective over the long term, without having to stretch your budget to the very top end.

Features

Neutral reproduction, easy to mix

Its cardioid condenser capsule favors precision and balance. The result: a voice that retains its texture, an acoustic guitar that remains natural, a piano that doesn't get hard. You save mixing time, because the sound is already "clean" and usable, without heavy corrections.

Full bass without heaviness

The ¾" capsule with embossed Mylar membrane provides a solid, legible low end. You get body on a vocal, depth on an ensemble take, or a denser drum overhead, without artificially swelling. Ideal for recordings that need to remain faithful.

Efficient cardioid to isolate the source

High off-axis rejection helps reduce room noise and sounds coming from the sides. In concrete terms, you can better isolate a singer in a home studio, limit reflections on a guitar, or secure a live recording. Less pollution, more control.

Very low self-noise for sensitive recordings

When the source level is low, the microphone doesn't "blow". You can record details, breaths, nuances, without parallel noise. This is an immediate advantage on vocals, strings, ambiences, or more distant takes.

Compact size, easier placement

Its all-metal design, more compact than a classic large static, facilitates tight placement. You can easily position it above a drum kit, in front of a piano, or between several musicians. Practical when space is limited and every inch counts.

Two versions to suit your needs

The KSM32C is available as a studio or stage kit. You choose the accessory configuration that makes the most sense for your daily routine: regular recording in the booth, or recurring live use. You pay for what you need, not for what you don't.

What we like / What we need to know

  • Neutral, precise rendering: perfect if you want a sound basis for mixing.
  • Solid, clean bass, with no "muddy" effect.
  • Highly effective off-axis rejection: useful for home studios and live recordings.
  • Ultra-low clean noise: excellent for fine miking and delicate sources.
  • Compact size and metal construction: reliable, easy to place, built to last.
  • Two kits (studio/stage): choose according to your use, and your accessory budget.

FAQ

Is the Shure KSM32C suitable for vocals?

Yes, it's very comfortable on vocals, thanks to its neutral rendering and very low self-noise. You get a detailed, easy-to-process recording, with no marked coloration.

Is it a good choice for a home studio?

Yes, especially if your room isn't perfect. Its cardioid polar pattern and high off-axis rejection help limit reflections and ambient noise.

Can it be used with overhead drums?

Yes, it works very well on overheads thanks to its balanced response and ability to capture clean transients. You get detailed cymbals without excessive aggression.

What's the difference between the studio kit and the stage kit?

They are two versions of the same microphone, with accessories adapted to the main use. The studio kit focuses on the recording environment, the stage kit on practicality and robustness for live performance.

At what budget level?

It's a mid/high-end pro microphone: more demanding than a first static, but more affordable than certain "boutique" models. The advantage is reliable, versatile performance that lasts for years.

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Technical sheet

  • Microphone
    • Type: condenser condenser microphone
    • Directivity: cardioid
    • Capsule: ¾ inch with embossed Mylar diaphragm
    • Frequency response: 20 Hz - 20 kHz
    • Very flat, neutral response, with no artificial emphasis
  • Audio performance
    • Self-noise: 11 dBA
    • Signal-to-noise ratio: 83 dB
    • Sensitivity: -36 dBV/Pa (16 mV)
    • Off-axis rejection up to 37 dB at 180°.
    • Ideal for vocals, acoustic and electric instruments, drum overheads, piano and ensemble recordings
  • Maximum SPL level
    • With -15 dB pad: up to 155 dB SPL
    • Without pad: up to 140 dB SPL
    • Suitable for highly dynamic sources without distortion
  • Connections and power supply
    • Connector: XLR male 3-pin balanced
    • Output impedance: 70 Ω ±5
    • Power supply required: phantom 48 V (5.4 mA)
  • Construction
    • Machined and anodized aluminum alloy body
    • Precision-machined steel grille
    • Gold-plated capsule
    • Weight: 265 g
  • Versions available
    • KSM32C-HM (stage kit): microphone, rigid stand, foam windscreen, high-end case, threaded adapter
    • KSM32C-SM (studio kit): microphone, shock-mount, removable magnetic pop filter, high-end case, threaded adapter
  • Optional accessories
    • Rigid stands and shock mounts
    • Foam windscreen
    • Magnetic pop filter
    • Spare elastic bands for suspension
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