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Guitar and bass effects shopping guide
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Overdrive, distortion & fuzz effect pedal
Deluxe version of the TARS pedal, it's a fuzz pedal with 2 analog filters inspired by the MS-20. Probably the only pedal with 4 pole resonant Low Pass and High Pass Filters. It is a stage & studio tool to shape your sound with high precision or an experimental device for loud noise makers.
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Technical sheet
- Master: Master volume.
- Gain: Placed after the input buffer stage and followed by silicon gain and clipping stages.
- FBK: Amount of feedbacked fuzz when engaging the Crash footswitch. Can self-oscillate depending on your gain setting.
- Low Pass Filter CutOff: Cutoff frequency of the MS-20 style low pass filter, based on an LM13700 stage, going from 15Hz to 44kHz.
- LPF Resonance: Intensity of the signal around the cutoff frequency.
- Filter Volume: VCA - Output volume of the filter.
- 2p/4p toggle switches: Attenuation curve, cut at -12dB/octave (2p) or at -24dB/octave (4p).
- High Pass Filter CutOff: Cutoff frequency of the MS-20 style high pass filter, based on an LM13700 stage, going from 30Hz to 22kHz.
- HPF Resonance: Intensity of the signal around the cutoff frequency.
- Add Fuzz (long press Crash footswitch): Adds an extra unfiltered fuzz signal, creating a nice phasing effect and frequencies boost or cut depending on the cutoff position.
- Serial / Parallel switch: Puts the fuzz into the filter or use both effects in parallel.
- LPF/HPF Expression switch: Select which filter is controlled by the expression pedal.
- Expression/CV: The Expression/CV control is linked to the cutoff fader of your choice.
- FBK (short press Crash footswitch): Adds feedback to the fuzz, can create notes and self-oscillate.
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