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Analog mixing desk
The LIVE-16 from JB Systems is a professional analog mixing console designed for live performances, DJs, bands and fixed installations.
It features 16 inputs over 14 channels, including 12 mono mic/line inputs with combo connectors, one mono/stereo mic/line input and one mono/stereo/USB/player mic/line input. An additional stereo input makes it easy to add an external source, and a recording output is also available.
Modern, comprehensive connectivity
The LIVE-16 incorporates a Bluetooth receiver, a bi-directional USB port for stereo playback and recording to a PC/Mac, and a USB player capable of playing WMA, WAV, FLAC, APE and MP3 files. So you can play your music, record your performances and manage multiple audio sources without the need for additional hardware.
Integrated sound processing and effects
The onboard 32-bit DSP processor offers 99 integrated effects (reverbs, delays, modulations, etc.) to enrich your vocals and instruments. The LIVE-16 also features a 7-band graphic equalizer on the main output with IN/Bypass switch, ideal for precisely adapting the overall sound to the room or broadcast system.
Precise control over each channel
Each channel features gain control, 3-band EQ, two pre-fader aux sends, post-fader AUX/FX send, pan, level fader, peak meter, mute, PFL and routing to main output or groups 1/2. Mono channels also feature a low-cut filter and independent 48 V phantom power for condenser microphones.
Flexible routing and monitoring
Group 1/2 outputs, with separate level control, can be routed to the master to create vocal, drum or monitor submixes. Balanced XLR main outputs provide a reliable link to PA systems, while a headphone output with level control enables precise monitoring of the mix or PFL signals.
Compact, easy-to-carry format
With dimensions of 63 × 38 × 12 cm and a weight of 6.64 kg, the LIVE-16 is easy to transport for mobile service providers, bands or associations. Its universal 100-240 V AC (50/60 Hz) power supply and 35 W power consumption make it suitable for a wide range of contexts, from café-concert to corporate events.
A versatile solution for live and installation use
Thanks to its combination of extended inputs, integrated effects, USB/Bluetooth connectivity and professional features, the LIVE-16 is a complete, reliable and scalable mixer. It's ideal for sound contractors, musicians, venues, bars, associations or permanent installations looking for a versatile, easy-to-use console.
LIVE-16 vs. entry-level 12-channel analog console
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Number of inputs and flexibility
- LIVE-16: 16 inputs on 14 channels, including 12 mono combo mic/line inputs, several stereo channels and additional stereo input with level control.
- Entry-level 12-channel console: fewer mono inputs, few or no dedicated stereo channels and less flexibility for external sources.
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Digital and media connectivity
- LIVE-16: integrated Bluetooth receiver, bidirectional USB port for PC/Mac playback/recording, USB player compatible with WMA, WAV, FLAC, APE, MP3.
- 12-channel console: generally without Bluetooth, with limited or no USB and few integrated multimedia functions.
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Signal processing and effects
- LIVE-16: 32-bit DSP with 99 integrated effects + 7-band graphic equalizer on main output.
- 12-channel console: often without internal effects or with a more basic processor, and limited main EQ.
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Controls per channel
- LIVE-16: gain, 3-band EQ, 2 pre-fader aux sends, post-fader AUX/FX send, pan, fader, peak, mute, PFL, routing to master or groups, Low Cut and 48 V power supply on mono channels.
- 12-channel console: fewer aux sends, more limited routing and often less comprehensive phantom power/filtering options.
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Routing and monitoring
- LIVE-16: group 1/2 outputs with level control, routing to master, balanced XLR outputs and dedicated headphone output.
- 12-channel console: smaller number of busses and groups, less flexible routing to returns and master.
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Use and versatility
- LIVE-16: designed for live performance, DJs, bands and fixed installations with a wide range of scenarios.
- 12-channel console: adapted to simpler needs, with less scope for evolution and creative possibilities.
Technical sheet
- Mixer connectivity Without computer connection
- Number of channel mixing desk 10 to 22 channels
- Number of channels 10 channels
- Inputs / Channels
- 16 inputs on 14 channels: 12 mic/line mono (combo connectors), 1 mic/line mono/stereo, 1 mic/line mono/stereo/USB/player
- Additional stereo input
- Additional stereo input for external source with level control
- Analog recording output
- Bluetooth
- Integrated Bluetooth receiver
- USB
- Bi-directional USB connector (stereo playback or recording via PC/Mac)
- Multimedia player
- Internal drive for USB memory sticks
- Supported formats: WMA, WAV, FLAC, APE, MP3
- Can be used as a stereo recorder
- Internal DSP
- Internal DSP with 99 effect variations
- Controls per channel
- Gain control
- 3-band equalizer
- 2 pre-fader aux sends
- 1 post-fader AUX/FX send
- Pan adjustment
- Level fader
- Peak indicator
- MUTE button
- PFL button
- Main or group output routing switch
- LOW CUT switch
- 48 V phantom power for all MIC/LINE mono channels
- Main equalizer
- 7-band graphic equalizer for main output
- IN/Bypass switch
- Group outputs
- Group 1/2 outputs (jack) with separate level control
- Groups routable to main outputs
- Main outputs
- XLR balanced main output
- Headphone output with level control
- Power supply
- AC 100-240 V, 50/60 Hz
- Power consumption
- 35 W
- Frequency response
- 20 Hz to 20,000 Hz
- Dimensions
- 63 × 38 × 12 cm (W × D × H)
- Weight
- 6.64 kg