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Rme Fireface 802 FS AE

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  • 1999.00 €
  • Ref : 113643
1849,00 €
  • Free delivery
  • Low prices guaranteed
  • Satisfied or refunded
  • 3-years warranty
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The brand Rme

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Sound card buying guide audio interface

Through this buying guide, you will find all the information you need to make your first audio interface purchase.

Contact an expert

Our musician and enthusiast tele-consultants are here to answer all your questions.

Usb audio interface

The Fireface 802 FS is a sound card from RME.

The Fireface 802 FS Anniversary Edition (AE) is a special version celebrating 20 years of RME excellence.

Fireface 802 FS AE highlights

  • 60 audio channels with high-end mic preamps.
  • Reference-class converters for unsurpassed sound quality.
  • Ultra-low latency operation up to 192 kHz.
  • Full effects section for maximum control over your recordings.
  • Compatible with Windows and Mac PCs, with no compromise on stability.

Key features of Fireface 802 FS AE

Enhance your recording setup

Discover unparalleled flexibility with ultra-low latency and SteadyClock FS jitter suppression, optimizing your recording and mixing experience.

Powerful mixing applications

The TotalMix FX DSP mixer enables full routing and latency-free monitoring, with advanced EQ management for immersive audio setups.

Class-compliant USB 2 audio

Operates in class-compliant mode for driverless operation on a variety of operating systems, including Linux and iPadOS.

Current-coupled outputs

Send control voltages to modular synthesizers with fully DC-coupled outputs, ideal for parameter control.

USB ARC remote control

USB ARC enables remote MIDI control, with assignable buttons and an encoder for quick access to mixer parameters.

Discover uncompromising audio quality

The Fireface 802 FS AE ensures low distortion and an excellent signal-to-noise ratio, capturing your sound as it is, with no additions or deletions.

Highly transparent professional preamps

Four low-latency preamps with symmetrical design guarantee high-quality audio transmission for all signal types.

Expert advice

  • A high-quality audio interface ideal for sound professionals.
Lire la suite

Technical sheet

  • DSP Yes
  • Connectivity
    • 12 analog inputs
    • 4 mic/instrument preamps
    • 2 headphone outputs
    • 1 MIDI I/O
    • 1 AES/EBU I/O
    • 2 ADAT I/O (or 2 SPDIF I/O) or 1 ADAT I/O plus 1 optical SPDIF I/O
    • 1 Word Clock I/O
  • Analog
    • Inputs AD, Line 1-8 (rear)
    • Input: 6.3 mm TRS, electronically balanced
    • Signal-to-noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
    • SNR @ +4 dBu: 115 dB (AES17), 117 dBA
    • Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz - 20.4 kHz
    • Frequency response @ 96 kHz, -0.5 dB : 4.3 Hz - 45.2 kHz
    • Frequency response @ 192 kHz, -1 dB : 3 Hz - 89 kHz
    • Filter: Short High Delay, 5 / 5 / 6 samples delay
    • THD @ -1 dBFS: < -120 dB, < 0.0001% THD+N @ -1 dBFS: < -120 dB, < 0.0001
    • THD+N @ -1 dBFS: < -110 dB, < 0.00032% Channel Separation
    • Channel separation: > 110 dB
    • Maximum input level: +19 dBu
    • Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
    • Input sensitivity: switchable between Lo Gain and +4 dBu
    • Input level at 0 dBFS @ Lo Gain: +19 dBu
    • Input level for 0 dBFS @ +4 dBu: +13 dBu
    • Variable digital gain: 0 to +12 dB
    • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
  • Microphone inputs 9-12 (front)
    • Input: XLR, electronically balanced
    • Input impedance: 3.4 kOhm
    • SNR: 113 dB RMS unweighted, 116 dBA
    • Gain range: 54 dB
    • Maximum input level, Gain +6 dB: +10 dBu
    • Maximum input level, Gain +60 dB : -44 dBu
    • LED CLIP: 0 dBFS
    • LED SIG : -42 dBFS
  • Instrument inputs 9-12 (front)
    • Input: 6.3 mm TS jack, unbalanced
    • Input impedance: 1 MOhm
    • SNR: 113 dB RMS unweighted, 116 dBA
    • Maximum input level, Gain +6 dB: +21 dBu
    • Maximum input level, Gain +60 dB : -33 dBu
    • Frequency response @ 44.1 kHz, -0.5 dB : 2.5 Hz - 20.8 kHz
    • Frequency response @ 96 kHz, -0.5 dB : 2.5 Hz - 25 kHz
    • Frequency response @ 192 kHz, -1 dB : 1.7 Hz - 36 kHz
  • DA output - Monitor Stereo (Headphones 9-12)
    • Output: 2 x 6.3 mm TRS stereo jack, unbalanced
    • Maximum output level at 0 dBFS: +17 dBu
    • Maximum power per channel @ 32 Ohm, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu)
    • SNR: 116 dB (AES17), 118 dBA
    • Output impedance: 2 Ohm
  • DA output, Line 1-8 (rear)
    • Output: 6.3 mm TRS jack, servo-balanced
    • SNR @ HiGain: 116.5 dB (AES17), 118.5 dBA
    • SNR @ +4 dBu: 116 dB (AES17), 118 dBA
    • SNR @ -10 dBV: 107 dB (AES17), 109 dBA
    • Frequency response @ 44.1 kHz, -0.1 dB : 0 Hz - 20.2 kHz
    • Frequency response @ 96 kHz, -0.5 dB : 0 Hz - 44.6 kHz
    • Frequency response @ 192 kHz, -1 dB : 0 Hz - 77.5 kHz
    • THD+N: < -110 dB, < 0.00032 % Channel separation
    • Channel separation: > 110 dB
    • Switchable output level: Hi Gain, +4 dBu, -10 dBV
    • Output level at 0 dBFS @ Hi Gain: +19 dBu
    • Output level at 0 dBFS @ +4 dBu: +13 dBu
    • Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
    • Output impedance: 75 Ohm
  • MIDI
    • 1 x MIDI I/O via 5-pin DIN sockets
    • Galvanic isolated by optocoupled input
    • High-speed mode: Jitter and response time generally below 1 ms
    • Separate 128-byte FIFOs for input and output
  • Digital
    • Clocks: Internal, ADAT In, AES In, SPDIF In, Word Clock In
    • External clock jitter suppression: > 50 dB (> 1 Hz)
    • Influence of jitter on AD and DA conversion: close to zero
    • PLL guarantees zero clipping, even with jitter of over 100 ns
    • Digital bitclock PLL for trouble-free varispeed operation
  • ADAT operation
    • Supported sampling rates: 28 kHz to 200 kHz
  • Digital inputs
    • AES/EBU: 1 x XLR, transformer-balanced
    • Word Clock: BNC, switchable between input and output
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