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Tascam Sonic View 16

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  • Tascam Sonic View 16 - Digital mixing desk - Main picture
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  • 6449.00 €
  • Ref : 107429
5299,00 €
  • Free delivery
  • Low prices guaranteed
  • Satisfied or refunded
  • 3-years warranty
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The brand Tascam

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Digital mixing desk

The Tascam Sonic View 16 is a 16-channel digital mixer.

Sonicview consoles integrate elegantly with the rest of your system, thanks to Dante networking capabilities, a multi-channel USB audio interface working in 96 kHz/32-bit and all integrated inputs/outputs. Uncompromising audio quality, an FPGA-based 54-bit floating-point mixing engine, extensive signal processing functions, an expansion card slot for increased connectivity, wireless remote control: Sonicview consoles are the next-generation choice for recording studios, mobile studios, touring, fixed installation and broadcast.
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Technical sheet

  • Number of channel mixing desk 10 to 22 channels
  • Number of channels 16 channels
  • Number of inputs 52 audio channels
  • (40 mono, 2 stereo, 4 stereo effect returns)
  • Number of buses 32
  • (22 switchable Aux/Group mix buses, 1 stereo main bus, 4 stereo output buses)
  • Built-in effects 4
  • Number of managed input sources
  • At 96 kHz Maximum 152
  • At 48 kHz Maximum 248
  • Microphone/Line (XLR) 16
  • Line (RCA/cinch) 4 (2 × stereo)
  • Dante 32 (96 kHz), 64 (48 kHz)
  • Expansion cards 2 × 32 (96 kHz), 2 × 64 (48 kHz)
  • Audio player 32
  • Built-in USB 2 (1 × stereo)
  • Oscillator 1
  • Talkback (commands) 1
  • Selectable output targets
  • At 96 kHz Maximum 148
  • At 48 kHz Maximum 244
  • Line (XLR) 16
  • Dante 32 (96 kHz), 64 (48 kHz)
  • Expansion cards 2 × 32 (96 kHz), 2 × 64 (48 kHz)
  • USB audio 32
  • Monitor output (analog) 2 (1 × stereo)
  • Built-in recorder 2 (1 × stereo)
  • Inserts
  • Analog insert points 2 (Mic/Line input 7–8)
  • Digital signal processing
  • Mixing engine 54-bit floating-point, 96 kHz
  • A/D converters 32 channels, at 96 kHz
  • D/A converters 24 channels, at 96 kHz
  • Digital inputs/outputs sampling frequency 48 kHz, 96 kHz
  • Mic/Line inputs (balanced, MIC/LINE) XLR-3-31 (1: ground, 2: hot, 3: cold)
  • Maximum input level +12 dBu (TRIM at minimum, PAD disabled)
  • +32 dBu (TRIM at minimum, PAD enabled)
  • Minimum input level –62 dBu (TRIM at maximum, PAD disabled)
  • –42 dBu (TRIM at maximum, PAD enabled)
  • Input impedance ?5 kΩ
  • Line inputs (LINE IN (BAL)) 6.35 mm jack connector (TRS)
  • (Tip: hot, Ring: cold, Sleeve: ground)
  • Maximum input level +12 dBu (TRIM at minimum, PAD disabled)
  • +32 dBu (TRIM at minimum, PAD enabled)
  • Minimum input level –62 dBu (TRIM at maximum, PAD disabled)
  • –42 dBu (TRIM at maximum, PAD enabled)
  • Input impedance ?5 kΩ
  • Insert points (INSERT) 6.35 mm jack connector (TRS)
  • (Tip: hot, Ring: cold, Sleeve: ground)
  • Maximum input level (return) +18 dBu
  • Nominal input level (return) –2 dBu
  • Input impedance (return) ?5 kΩ
  • Maximum output level (departure) +18 dBu
  • Maximum output level (departure) –2 dBu
  • Output impedance (departure) ?100 Ω
  • TALKBACK input XLR-3-31 (1: ground, 2: hot, 3: cold)
  • Maximum input level +10 dBu
  • Minimum input level –65 dBu
  • Gain adjustment 0–55 dB
  • Input impedance ?5 kΩ
  • Phantom power +48 V available
  • Stereo inputs (ST IN 1–2 L/R) RCA connectors
  • Maximum input level +6 dBV (1.995 V rms)
  • Nominal input level –10 dBV (0.316 V rms)
  • Dynamic range 16 dB
  • Input impedance ?10 k
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