Universal audio VOLT 4 MAX
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Apport initial:158.34 €
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Mensualités:2 x 158.33 €
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Montant financement:316.66 €
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Montant total dù:316.66 €
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The brand Universal audio
Sound card buying guide audio interface
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Usb audio interface
The Universal Audio Volt 4 Max is a 12-input/6-output USB audio interface designed for musicians, producers, and home studio enthusiasts who want to record multiple types of sources while having processing effects accessible right at the input. It combines two microphone preamps with Tone Shaping and Max compression, additional line inputs, an ADAT expansion, two headphone outputs, and the ability to switch between two pairs of speakers. It’s well-suited for a desktop studio that’s expected to grow without having to immediately upgrade to a larger interface.
Key Features
- Two 60 dB mic preamps with Tone Shaping and Max compression for processing vocals and instruments right from the recording stage.
- Two mic/line inputs, supplemented by additional line inputs to integrate synthesizers, drum machines, or external processors.
- The ADAT input adds up to 8 digital channels at 44.1 or 48 kHz with a compatible preamp or external converter.
- Two headphone outputs make it easy to work with a partner, while the built-in talkback allows you to communicate with the performer without tying up an input.
- Two pairs of switchable speaker outputs allow you to quickly compare a mix on two monitoring systems.
- Auto-Gain, clipping protection, and Smart Display simplify level adjustment and monitoring.
How many sources can be recorded directly?
The Volt 4 Max features two mic/line inputs with preamps and additional line inputs. It can therefore accommodate microphones on the first two channels while also accepting other line-level devices, such as a stereo synthesizer or a drum machine.
The two Hi-Z instrument inputs are used to directly connect a guitar or bass, but they share the same channels as the corresponding mic/line inputs. Therefore, they do not constitute two additional analog inputs.
What do the Tone Shaping modes and the Max compressor do?
Both preamps offer three Tone Shaping modes. “Warmth” is inspired by a tube circuit, “Focus” by an American transistor design, and “Shine” by a British Class A preamp.
The Max compressor adds six dynamics presets designed for different sources, including vocals, guitars, and basses. The three Tone Shaping modes can be combined with these six presets, resulting in 18 possible combinations of tone shaping and compression.
These processing effects take place during recording. The settings you choose are therefore part of the captured sound and are not simply a playback effect that would be removed later.
What are Auto-Gain and clipping protection used for?
Auto-Gain automatically adjusts the level of inputs equipped with preamps after analyzing the source. It speeds up the preparation of a take when you need to quickly adjust a vocal or instrument.
Clip protection kicks in during unexpected peaks to reduce the risk of digital clipping. The Smart Display complements these functions by showing the levels and the gain reduction applied by the Max compressor.
How do I expand the interface with ADAT?
The optical input accepts an ADAT signal from an external preamp or converter sold separately. It can handle up to 8 additional channels at 44.1 or 48 kHz, bringing the total configuration to 12 inputs.
At higher sample rates, the capacity decreases: 4 channels in S/MUX mode at 96 kHz and 2 channels at 192 kHz. The same connector can operate as an optical S/PDIF to receive two digital channels.
This connection operates as an input only. The Volt 4 Max does not have an ADAT output to send multiple digital channels to another device.
Is it suitable for a studio with synthesizers and MIDI equipment?
The additional line inputs prevent the two mic preamps from being monopolized when a synthesizer, drum machine, or other device is already providing a line-level signal. This setup is useful in a studio where multiple types of sources remain permanently connected.
The MIDI input and output, which use 3.5 mm Type A TRS mini-jacks, are used to exchange MIDI notes, commands, and synchronization data with compatible devices. They do not carry audio: the sound from a synthesizer must always be connected to the audio inputs to be recorded.
What are the two pairs of speaker outputs for?
The Volt 4 Max can power one main pair of speakers and one alternate pair. A dedicated switch allows you to switch between them without changing the wiring.
This feature is useful for quickly comparing a mix on two monitoring systems set up at the same workstation. It does not create two independent mixes: its primary purpose is to select which speaker system is used for monitoring.
Are the two headphone outputs independent?
Two people can each plug their headphones directly into the interface, which eliminates the immediate need for an external headphone amplifier. However, both outputs share the same return mix.
If two musicians need to receive different headphone mixes, you’ll need a monitoring solution that offers independent routing.
What is the talkback microphone used for?
The built-in microphone is used to speak to musicians during a session without having to set up an additional microphone dedicated to communication. It’s particularly useful when the performer is far from the control room or in another room.
It does not replace a recording microphone. Its sole purpose is to facilitate communication between the control room and the performer.
What can the built-in USB hub be used for?
The USB hub port can accommodate a compatible device and provide up to 5 V / 0.5 A. In particular, it can be used to connect certain USB MIDI controllers directly to the interface.
The peripheral’s power consumption must remain within this limit. Therefore, this port should not be considered a universal power source for any USB device.
Is it suitable for podcasting and streaming?
The Loopback combines physical inputs with audio from the computer. This allows you to incorporate sound from an application into a podcast, livestream, or video in addition to connected microphones or instruments.
The two microphone preamps are suitable for a two-microphone setup. A configuration requiring more microphones calls for additional preamps, particularly via the ADAT input.
What software comes with the Volt 4 Max?
The Volt Studio bundle includes LUNA as well as a selection of UAD effects and instruments, including the UA 610 Tube Preamp & EQ Collection, Century Tube Channel Strip, Teletronix LA-2A, UA 1176, Pure Plate Reverb, Galaxy Tape Echo, Oxide Tape Recorder, PolyMAX Synth, and Anthem Analog Synth.
Third-party software rounds out the package, including Melodyne Essential, Plugin Alliance tools, UJAM Virtual Drummer DEEP, UJAM Virtual Bassist DANDY, Splice INSTRUMENT, and UVI Prisma Producer Lab. FL Studio Producer Edition is included for three months. The contents of the bundles are subject to change without notice.
In what situations does the Volt 4 Max show its limitations?
The Volt 4 Max offers more connectivity options than a two-input interface, but it still only has two built-in microphone preamps. For regularly recording three or four microphones without additional equipment, an interface equipped with more preamps will be easier to use.
It’s particularly well-suited for a studio where two microphones are usually sufficient, but where you want to connect line sources in parallel, have two monitoring systems, work with two people using headphones, and maintain the option for digital expansion via ADAT.
Technical sheet
- Inputs / Outputs
- Simultaneous I/O: 12 inputs / 6 outputs
- Microphone preamps: 2
- Preamp gain: 60 dB
- Built-in processing: Tone Shaping, harmonic saturation, and Max compressor
- Speaker Outputs: 2 stereo pairs, main and alternate, switchable
- Headphone outputs: 2 stereo outputs, common mix
- USB: 1 USB 2.0 host port
- USB hub: 1 port, maximum power supply of 5 V DC / 0.5 A
- External power input: 5 V DC / 1.5 A minimum
- Included power supply: 5 V DC / 3 A
- USB connector: USB-C
- Digital/optical connection: ADAT or S/PDIF input
- MIDI: input and output
- Talkback: built-in microphone
- ADAT / S/PDIF
- ADAT: 8 channels at 44.1/48 kHz, 4 S/MUX channels at 96 kHz, 2 S/MUX channels at 192 kHz
- S/PDIF: 2 channels at all supported sample rates
- MIDI
- MIDI input: yes
- MIDI output: yes
- Connectors: 3.5 mm TRS mini-jacks
- Type: MIDI Type A
- A/D and D/A conversion
- Digital audio resolution: 32-bit
- Supported sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz
- Power
- USB power: yes
- Power consumption at 5 V DC: 5.5 W (typical)
- Maximum power consumption: 7.1 W
- On/off switch: yes, on the back
- Analog Inputs and Outputs
- Instrument inputs 1–2: Frequency response: 20 Hz – 20 kHz, ±0.02 dB, A-weighted dynamic range: 116 dB, THD + noise, 1 kHz at -1 dBFS: -108 dB / 0.0004%, Maximum input level: 13 dBu, Input impedance: 1 MΩ, Available gain: 60 dB, digitally controlled, Connectors: 6.35 mm TS unbalanced jack
- Microphone Inputs 1–2: Frequency response: 20 Hz – 20 kHz, ±0.08 dB, A-weighted dynamic range: 119 dB, THD + noise, 1 kHz at -1 dBFS: -110 dB / 0.0003%, Maximum input level: 14 dBu, Input impedance: 2 kΩ, Available gain: 60 dB, digitally controlled, Phantom power: +48 V switchable per channel, Connectors: XLR/jack combo, pin 2 positive
- Line Inputs 1–2: Frequency response: 20 Hz – 20 kHz, ±0.05 dB, A-weighted dynamic range: 119 dB, THD + noise, 1 kHz at -1 dBFS: -108 dB / 0.0004%, Maximum input level: 22 dBu, Input impedance: 10 kΩ, Available gain: 60 dB, digitally controlled, Connectors: 6.35 mm TRS balanced or TS unbalanced jacks
- Line Inputs 3–4: Frequency response: 20 Hz – 20 kHz, ±0.05 dB, A-weighted dynamic range: 119 dB, THD + noise, 1 kHz at -1 dBFS: -108 dB / 0.0004%, Maximum input level: 22 dBu, Input impedance: 10 kΩ, Available gain: 60 dB, digitally controlled, Connectors: 6.35 mm TRS balanced or TS unbalanced jacks
- Line and speaker outputs 3–4: Frequency response: 20 Hz – 20 kHz, ±0.05 dB, A-weighted dynamic range: 126 dB, THD + noise, 1 kHz at -1 dBFS: -112 dB / 0.0003%, Maximum output level: 20.2 dBu, Output impedance: 200 Ω, Connectors: 6.35 mm TRS balanced or TS unbalanced jacks, DC-coupled
- Headphone outputs
- Number: 2
- Frequency response: 20 Hz – 20 kHz, ±0.08 dB
- A-weighted dynamic range: 116 dB
- THD + noise, 1 kHz at -1 dBFS into 300 Ω: -103 dB / 0.0007%
- Maximum power at 32 Ω: 45 mW
- Maximum power at 300 Ω: 24 mW
- Connectors: 6.35 mm and 3.5 mm unbalanced stereo TRS, DC-coupled
- Headphone mix: shared between both outputs
- System Requirements
- macOS and Windows: Available USB 2.0 or higher port, USB cable included, Intel, AMD, or Apple Silicon processor, Windows 10 64-bit or later, macOS 12 Monterey or later, Internet connection required to download software
- iPad and iPhone: iPadOS / iOS 16 or later, Apple Lightning to USB adapter required for devices with a Lightning port, No Lightning adapter required for iPhones and iPads with a USB-C port
- STAN Compatibility: Compatible with leading digital audio workstations, including: Ableton Live, FL Studio, GarageBand, Logic Pro, Pro Tools, LUNA